the death of real news
The purpose of writing a response paper is to encourage students to actively read and evaluate selected articles. While it is possible to read an article just once and gain an understanding of the main idea, much of the depth and nuance of the article will only be discovered after multiple readings. Moreover, your grasp of the ideas and concepts presented in the article will remain superficial until you apply those ideas and concepts in your own writing.
The first step in writing a good response paper is to actively read the article assigned. Active reading means consciously identifying the thesis, purpose, audience, and tone. Next, it might help to construct an outline or graphic organizer that will help you visualize the assertions and the evidence supporting those assertions. Once you have a firm understanding of the ideas and issue present, start formulating your response by asking questions:
Do I disagree with a point being made?
Can I think of additional examples or evidence that support or refute the author’s claims?
What are other people saying about this topic?
Can I connect something in the article to my own personal experience?
Can I apply the ideas presented in the article to some other subject?
A critical response should begin with a summary of the article that you’ve chosen. Be sure to accurately represent the ideas and arguments form the source. Summarizing is part of introducing your reader to the conversation, the “they say” from your reading. Next you will begin your response, usually with a statement of agreement or disagreemnt, followed your reasons, examples and evidence. Remember that the purpose of a critical response paper is to add your own voice to the mix, to join the conversation. I want to read your reactions,your interpretations and your opinions. Take this opportunity to develop your own voice.
In evaluating this essay, there are a few specific things I will be looking for.
First, have you understood your chosen article? You can demonstrate this by accurately summarizing or paraphrasing the main ideas of the article somewhere near the beginning of your essay.
Second, have you provided your own ideas and opinions? Academic writing is based on making arguments. In this essay you should take a clear stand (referred to as a thesis, claim or main idea) and support that stand with reasons and evidence. You can approach your response in three ways.
1. Agree: “I agree and can give you additional reasons and examples.”
2. Disagree: “I disagree and will tell you why the author is mistaken.”
3. Middle ground, but still specific: “Although I agree with _______, I do not accept that ______.”
Third, have you woven important quotations into your response? I want to see that you can identify and quote important ideas in the source text. I also want to see that you can properly introduce and contextualize these quotations as described in ” The Art of Quoting” (reading assignment 3).
Finally, have you properly identified your sources? Any time you paraphrase, summarize or quote, you need an in-text citation with a corresponding works cited entry. You should follow MLA format in making these citations. For this essay you might have only a single source on your works cited page (your chosen article); that’s fine. If you include other sources (which is usually a good idea) then those will also be included.
Ted Koppel: Olbermann, O’Reilly and the death of real news
To witness Keith Olbermann – the most opinionated among MSNBC’s left-leaning, Fox-baiting, money-generating hosts – suspended even briefly last week for making financial contributions to Democratic political candidates seemed like a whimsical, arcane holdover from a long-gone era of television journalism, when the networks considered the collection and dissemination of substantive and unbiased news to be a public trust.
Back then, a policy against political contributions would have aimed to avoid even the appearance of partisanship. But today, when Olbermann draws more than 1 million like-minded viewers to his program every night precisely because he is avowedly, unabashedly and monotonously partisan, it is not clear what misdemeanor his donations constituted. Consistency?
We live now in a cable news universe that celebrates the opinions of Olbermann, Rachel Maddow, Chris Matthews, Glenn Beck, Sean Hannity and Bill O’Reilly – individuals who hold up the twin pillars of political partisanship and who are encouraged to do so by their parent organizations because their brand of analysis and commentary is highly profitable.
The commercial success of both Fox News and MSNBC is a source of nonpartisan sadness for me. While I can appreciate the financial logic of drowning television viewers in a flood of opinions designed to confirm their own biases, the trend is not good for the republic. It is, though, the natural outcome of a growing sense of national entitlement. Daniel Patrick Moynihan’s oft-quoted observation that “everyone is entitled to his own opinion, but not his own facts,” seems almost quaint in an environment that flaunts opinions as though they were facts.
And so, among the many benefits we have come to believe the founding fathers intended for us, the latest is news we can choose. Beginning, perhaps, from the reasonable perspective that absolute objectivity is unattainable, Fox News and MSNBC no longer even attempt it. They show us the world not as it is, but as partisans (and loyal viewers) at either end of the political spectrum would like it to be. This is to journalism what Bernie Madoff was to investment: He told his customers what they wanted to hear, and by the time they learned the truth, their money was gone.
It is also part of a pervasive ethos that eschews facts in favor of an idealized reality. The fashion industry has apparently known this for years: Esquire magazine recently found that men’s jeans from a variety of name-brand manufacturers are cut large but labeled small. The actual waist sizes are anywhere from three to six inches roomier than their labels insist.
Perhaps it doesn’t matter that we are being flattered into believing what any full-length mirror can tell us is untrue. But when our accountants, bankers and lawyers, our doctors and our politicians tell us only what we want to hear, despite hard evidence to the contrary, we are headed for disaster. We need only look at our housing industry, our credit card debt, the cost of two wars subsidized by borrowed money, and the rising deficit to understand the dangers of entitlement run rampant. We celebrate truth as a virtue, but only in the abstract. What we really need in our search for truth is a commodity that used to be at the heart of good journalism: facts – along with a willingness to present those facts without fear or favor.
To the degree that broadcast news was a more virtuous operation 40 years ago, it was a function of both fear and innocence. Network executives were afraid that a failure to work in the “public interest, convenience and necessity,” as set forth in the Radio Act of 1927, might cause the Federal Communications Commission to suspend or even revoke their licenses. The three major broadcast networks pointed to their news divisions (which operated at a loss or barely broke even) as evidence that they were fulfilling the FCC’s mandate. News was, in a manner of speaking, the loss leader that permitted NBC, CBS and ABC to justify the enormous profits made by their entertainment divisions.
On the innocence side of the ledger, meanwhile, it never occurred to the network brass that news programming could be profitable.
Until, that is, CBS News unveiled its “60 Minutes” news magazine in 1968. When, after three years or so, “60 Minutes” turned a profit (something no television news program had previously achieved), a light went on, and the news divisions of all three networks came to be seen as profit centers, with all the expectations that entailed.
I recall a Washington meeting many years later at which Michael Eisner, then the chief executive of Disney, ABC’s parent company, took questions from a group of ABC News correspondents and compared our status in the corporate structure to that of the Disney artists who create the company’s world-famous cartoons. (He clearly and sincerely intended the analogy to flatter us.) Even they, Eisner pointed out, were expected to make budget cuts; we would have to do the same.
I mentioned several names to Eisner and asked if he recognized any. He did not. They were, I said, ABC correspondents and cameramen who had been killed or wounded while on assignment. While appreciating the enormous talent of the corporation’s cartoonists, I pointed out that working on a television crew, covering wars, revolutions and natural disasters, was different. The suggestion was not well received.
The parent companies of all three networks would ultimately find a common way of dealing with the risk and expense inherent in operating news bureaus around the world: They would eliminate them. Peter Jennings and I, who joined ABC News within a year of each other in the early 1960s, were profoundly influenced by our years as foreign correspondents. When we became the anchors and managing editors of our respective programs, we tried to make sure foreign news remained a major ingredient. It was a struggle.
Peter called me one afternoon in the mid-’90s to ask whether we at “Nightline” had been receiving the same inquiries that he and his producers were getting at “World News Tonight.” We had, indeed, been getting calls from company bean-counters wanting to know how many times our program had used a given overseas bureau in the preceding year. This data in hand, the accountants constructed the simplest of equations: Divide the cost of running a bureau by the number of television segments it produced. The cost, inevitably, was deemed too high to justify leaving the bureau as it was. Trims led to cuts and, in most cases, to elimination.
The networks say they still maintain bureaus around the world, but whereas in the 1960s I was one of 20 to 30 correspondents working out of fully staffed offices in more than a dozen major capitals, for the most part, a “bureau” now is just a local fixer who speaks English and can facilitate the work of a visiting producer or a correspondent in from London.
Much of the American public used to gather before the electronic hearth every evening, separate but together, while Walter Cronkite, Chet Huntley, David Brinkley, Frank Reynolds and Howard K. Smith offered relatively unbiased accounts of information that their respective news organizations believed the public needed to know. The ritual permitted, and perhaps encouraged, shared perceptions and even the possibility of compromise among those who disagreed.
It was an imperfect, untidy little Eden of journalism where reporters were motivated to gather facts about important issues. We didn’t know that we could become profit centers. No one had bitten into that apple yet.
The transition of news from a public service to a profitable commodity is irreversible. Legions of new media present a vista of unrelenting competition. Advertisers crave young viewers, and these young viewers are deemed to be uninterested in hard news, especially hard news from abroad. This is felicitous, since covering overseas news is very expensive. On the other hand, the appetite for strongly held, if unsubstantiated, opinion is demonstrably high. And such talk, as they say, is cheap.
Broadcast news has been outflanked and will soon be overtaken by scores of other media options. The need for clear, objective reporting in a world of rising religious fundamentalism, economic interdependence and global ecological problems is probably greater than it has ever been. But we are no longer a national audience receiving news from a handful of trusted gatekeepers; we’re now a million or more clusters of consumers, harvesting information from like-minded providers.
As you may know, Olbermann returned to his MSNBC program after just two days of enforced absence. (Given cable television’s short attention span, two days may well have seemed like an “indefinite suspension.”) He was gracious about the whole thing, acknowledging at least the historical merit of the rule he had broken: “It’s not a stupid rule,” he said. “It needs to be adapted to the realities of 21st-century journalism.”
There is, after all, not much of a chance that 21st-century journalism will be adapted to conform with the old rules. Technology and the market are offering a tantalizing array of channels, each designed to fill a particular niche – sports, weather, cooking, religion – and an infinite variety of news, prepared and seasoned to reflect our taste, just the way we like it. As someone used to say in a bygone era, “That’s the way it is.”
Ted Koppel, who was managing editor of ABC’s “Nightline” from 1980 to 2005, is a contributing analyst for “BBC World News America.”